Fiction
Groundwater
(Bloomsbury, 2025)
By the winner of the Betty Trask Prize - an atmospheric and powerfully menacing story about family, secrets and violence.
John and Liz have left the city behind to move to a remote house on the shores of the lake. Though the house is barely unpacked, Liz's sister, with her children and her husband, have come to visit for the August bank holiday weekend.
Over the course of a hot, slow weekend, tensions simmer; things go unsaid - between the two couples, between the two sisters. Their time together is punctured by visits from Jim, the solitary local warden for the area; and a group of students camping nearby draw closer and closer, finally infiltrating the house - and bringing their own tensions and hierarchies with them.
As the weekend draws to a close, the landscape reveals a violence that has long lain hidden - and the summer builds to its harrowing climax.
Taut and menacing, full of disquiet and tenderness, Groundwater is about the gulfs that lies between us and those we love - and the miraculous ways our deepest desires and fears manifest.
‘I found in Groundwater a ruthless and minutely observed reckoning with the stories, beliefs, and places we make to shelter from fear of death. What it revealed was a world where people find themselves accidentally sheltering from life. Where humans might use one another, including the unborn, to keep the inscrutable in check, wring meaning from the outsized and mysterious, Groundwater masterfully and subtly begins to re-enchant all that we have reduced’
AMBER HUSAIN
‘So dreamlike and yet so tense - a heady combination beautifully balanced by McMullan. This is a novel that gets right under your skin’
ELLA FREARS
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The Last Good Man
(Bloomsbury, 2020)
WINNER OF THE BETTY TRASK PRIZE
'A Scarlet Letter for our times'
MARGARET ATWOOD
'An extraordinary and disquieting work of imagination, and as original as any novel I’ve read in recent memory'
ROB DOYLE
Duncan Peck has travelled alone to Dartmoor in search of his cousin. He has come from the city, where the fires are always burning.
In his cousin’s village, Peck finds a place with tea rooms and barley fields, a church and a schoolhouse. Out here, the people live an honest life – and if there’s any trouble, they have a way to settle it. They sit in the shadow of a vast wall, inscribed with strange messages. Anyone can write on the wall, anonymously, about their neighbours, about any wrongdoing that might hurt the community. Then comes the reckoning.
The stranger from the city causes a stir. He has not been there long before the village wakes up to the most unspeakable accusation; sentences daubed on the wall that will detonate the darkest of secrets.
A troubling, uncanny book about fear and atonement, responsibility and justice, and the violence of writing in public spaces, The Last Good Man dares to ask: what hope can we place in words once extinction is in the air?
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Short fiction
- ‘The Empty Castle’, the Dublin Review (2025)
- ‘Woodworm’, Lenz Press (2025)
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‘The Pyrenees’, The Toe Rag, Issue 4 (2024)
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‘Conviction’, Lungley Gallery (2023)
- ‘Fun’, Lighthouse (2016)
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'The only thing is certain is’, Best British Short Stories 2016 (Salt, 2016), Lighthouse (2015)
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'Tex and the Clouds', Der Standard (2016), Unreal City: Constructing the Capital (Cours de Poétique, 2016)
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‘Jim Froydon's Lines’, 3:AM Magazine (2015)
- ‘The Photographer’s Heap’, Minor Literature[s] (2015)
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'A Wall on Dartmoor', The Stockholm Review (2015) Flash Europa 28 (2015)
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‘The Bodybuilders’, The Literateur (2014)
- ‘Two Buckets’, Cadaverine Magazine (2012)
- ‘National Event’, Tengen Magazine (2009)